Description:
In the upper floor of Hagia Sophia,
the walls of the gallery at the south, are embellished by the mosaics
considered to be the best in Hagia Sophia and the most famous one in the
world. These are known as the Deesis Mosaics.
On these mosaics, Virgin Mary and John the Baptist (Ionnes Prodromos)
are seen asking Jesus for intercession for humanity on the Last judgment
Day. The bottom parts of the panel of 6 x 4.68 meters dimensions have
unfortunately deteriorated due to the air circulation from the window.
But even the remaining parts are enough for them to be considered as one
of the most important works of Byzantine art.
On the panel, are located a big Jesus in the middle and the Virgin on
his right, and john the Baptist on his left, all of them seen within the
golden background. Jesus, who is here depicted as seen from the front,
has a halo with a cross at the back of his head. Jesus, while making a
sign of blessing with his right hand, holds a bound Holy Book in his
left hand. The bottom parts of the Virgin Mary, who is situated at the
right side of Jesus, are badly deteriorated. Mary is shown in three
fourths profile and only her head and shoulders have survived the wear
and tear. She has a human expression on her face and looks downward.
Both the names of Mary and Christ are written in abbreviations in Greek
on both sides of their heads respectively.
John the Baptist (Ionnes Prodromos)
stands on the left side of Jesus. He is shown in three fourth profile,
just like the Virgin, and his first name is written in abbreviation from
top to bottom, but Prodromos is written fully.
As it is related in the Bible, John
the Baptist spent his life in the desert, far away from the favours of
the world, and this isolated, solitary life is reflected on the
expression of his face. On the faces of both the Virgin and the Baptist,
one can read the suffering of human beings on the Last judgement Day.
They symbolize that salvation is by and from Christ on that fateful day.
Christ, on the other hand, appears on this great day of judgement as an
entity full of tenderness and kindness, and exalted to reach divinity.
The well-chosen colours of the
mosaics is a splendid example of the indication that the main principles
of the pictorial arts in the Early Ages, continued to live in Byzantine
art and in the entire Middle Ages. The Deesis mosaics, which were
brought into daylight through the meticulous work of Thunderwood in the
years 19341935, are considered by the experts of the history of art, as
the beginnig of the Renaissance in the Byzantine pictorial arts.
Although some historians consider the Deesis mosaics as belonging to the
Eleventh, and some others to the Twelveth, and still some other
Byzantine history of art experts attribute them be of the Thirteenth
Centuries; it is generally accepted that they date back from the
Twelveth Century.
Dimension(HxL) : 40 x 60 cm.
Material : Tile.
Original Image :
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to see.